Showing posts with label Korean. Show all posts
Showing posts with label Korean. Show all posts

Sunday, 6 June 2010

Korea Killer



Zzikhimyeon jukneunda
aka The Record
(2000/Korea)


When a final grade teenage student is constantly picked upon in class, due to his allergies, an attractive female class mate stands up for him, and later invites him along with her friend for the weekend at a secluded summer house retreat.
Their break is disturbed in violent fashion as they are attacked by a group of fellow class mates, who break into the residence and stab the poor young man whilst video taping the events.
What appears to be an unprovoked and vicious attack by the group of males is soon revealed to be an elaborate hoax that the girl was in on, but when the victim of the hi-jinks is discovered to be dead the group of friends are left in a state of shock, and the body along with the taped video evidence has to be disposed of.
There is an incredibly well done visual effect as a coin is thrown into the air to decide upon where it lands, in a pre designated pattern of chosen methods of getting rid of the body, before it hits the ground revealing the course of cremation. The body is laid to rest in a freshly dug open grave, and the video tape is slipped into the trouser pocket of the teenager. Gasoline is poured over the inert form and then set fire to, but in true The Burning (1981) fashion the boy leaps out of the grave, clearly still alive, and runs past the screaming group only to fall off a cliff face, plummeting ablaze into the river below.
In classic horror folklore a year goes by and the sister of the unaccounted for teenager is asking around the school for information, when one of the females responsible for his disappearance evades an attack by a mysterious knife wielding figure, sporting an orange cagoule, a note is left which details a web site that plays the film from the tragic night.
The themes of many western horror stories are played out to recognisable celluloid notables such as, I Know What You Did Last Summer (1997) & Friday The Thirteenth (1980) but it is with a pleasing variation in recognition in finding a Korean made outing which doesn’t just plagiarize its predecessors, but actually emulates them as well as injecting several elements of conceptual identity all of its own.
When the almost self advertising near fluorescent orange garbed stalker seeks revenge these teenagers aren’t the normal sit back and be picked off one by one variety, as they go about finding the oppressor in the manner of attack being the best form of defence. This leads to several encounters that actually do not culminate as you might expect. With a juicy smattering of bloody moments and some genuinely well set up sequences, along with the young array of down to earth and non irritating actors on display, as well as several shapely and attractive Korean hotties, The Record is actually an enjoyably rewarding viewing investment worthy of your time.
The expected finale with double end sequence is typically silly, yet in a fun way as the killer is unmasked, but it is the closing moment that delivers the true fan reward in delightfully over the top nonsensical fashion, leaving you with that corny self satisfying sigh of non committed appreciation for such audaciousness. Just for The Record go discover this disc for yourselves, and don’t be discouraged by the so called groovy brigade who dismiss this as just another stalk and slash film, because beneath its obvious veneer is another low budget Korean Killer movie that dares to be a cut above.


Movie Rating: 6/10


The Record (2000)
Review: Paul Cooke / Source NTSC Region Free DVD
Director Gi Hun-Kim & Jong-seok Kim
With Seong-min Kang, Eun-hye Park, Jae-hwan Ahn,
Min Jung, Dal Bae, Jun-Hyeong Bae & Chae-young Han

Thursday, 22 October 2009

Halloween 'Haul' Of Horror


Juk-Eum-Yi Soop
Dark Forest
aka Woods Of Death
(2006/South Korea)


Sown from the seed of Sam Raimi, and nurtured by The Happening of M. Night Shyamalan, Korean cinema lets loose the Evil forces of nature upon those that dare trespass upon the Dark Forest.

Five young adults venture off for a camping trip, leaving the city behind them and getting back to nature. The lead female is overcoming the recent death of her sister, who just so happened to pass on the family heritage of psychic foresight. The ability to have a glimpse into recent events happened, or very soon to be, by having physical contact with a person or associative item. Freakier than a Carrie (1976) curtain call, and when death lurks just around the corner perhaps ignorance is bliss !.

When their preferred passage is blocked the pre twenties teens take a detour, ignoring the sign posted advice to turn back to the main road. They arrive at the parameter of a cordoned off forest, its boundary fenced and a sturdy steel gate padlocking it off from the outside world. Another vehicle is parked adjacent to the fence, its occupants no where to be seen. Taking their predecessors non appearance as an indication that they are beyond the fence having fun, as an invitation to do the same, the fun seeking five ignore the no trespass warning and cross on over into the woodlands.
All those familiar with The Evil Dead (1981) will know what to expect from here on in, and its kinda like a kid in a Korean candy store unearthing a late night treat that no one outside of its home production is privy to. Sure its shot on digital video and not film, but that just adds to the thrill factor of unearthing this well conceived little homage. It has enough in its engine to drive home the goodies all its own as well. This isn’t just a brazen rerun of the Raimi cult classic, but a modern slant with some fresh jumpy juice added to the mix.


There is nothing new about no cell phone reception in the area and one of the parties twisting her ankle to slow the progress of the group, but it’s the linear story that takes its straightforward premise from start to satisfying end that keeps it well worth watching. More than a healthy smattering of blood spurts and arterial sprays as the kills come help of course. Human possession by the unseen evil of the forest can only of course be dealt with by dismemberment and a good old fashioned shovel to the throat region, deftly applying weight behind a downward thrust foot, heads things off nicely !. With a quirkiness that hit’s the right note subtly rendered early on, listen out for a news item on the radio as the protagonists journey to their destination, that hit’s a fun fan with an ironic splatter post script, these Woods Of Death could well branch out into a mainstream remake.

It’s a basic plot and the premise is pre-emptive, yet the sauce on the movie meat is tasty enough, and the ending has a surprise bite to it to satisfy the horror hungry brigade.

Review Paul Cooke / Source: Region 3 NTSC DVD

Dark Forest (2006)
Director Kim Jeong Min
With So Yi Hyun, Lee Jong Hyuk