Showing posts with label Japanese. Show all posts
Showing posts with label Japanese. Show all posts

Monday, 31 May 2010

Batoru Gâru Babe Slays 'Em Dead


Battle Girl
The Living Dead In Tokyo Bay
(1991/Japan)
‘‘You guys are so gross’’

A meteorite spirals through the Earths stratosphere on a collision course with Tokyo Japan. With Godzilla on a break, off the back of astronomical summer blockbuster box office takings, its down to mankind to sort this one out. Mind you, just because the season is a little chilly, doesn’t give Mothra an excuse for not lending a wing !.
The inter galactic Rock hits Tokyo Bay, and if you can smell what it’s cooking you are one jabroni lovin’ horror fan that’s been waiting a very long time for this one to surface. Finally The Living Dead In Tokyo Bay has come back out, on DVD.
Okay, sure there’s some juvenile WWE Dwayne Johnson tomfoolery you just had to groan through, but it’s actually not totally misplaced. What’s this candy assed Jabroni jabbering about you ask !?, well its know your role time, and it just so comes to be that starlet Cutie Susuki was a famous female wrestler. Maybe not anywhere near as big as The Rock, but what’s a noodle compared to the might of his stroodle !?. Here though, as super suited enhanced Battle Girl, she can layeth the smack down and become the peoples champ.
When the meteorite hits, the after impact takes out buildings and people alike, killing hundreds of innocents. The after effect of the blast leaves Tokyo Bay enveloped in a dense smog, bringing darkness to the area and turning daytime into night. In come the armed special forces, replete with Michael Jackson protective face masks. They are soon entertaining a Thriller night as the very recent dead rise up as marauding Zombies.
The scientists deduce that those killed in the blast have been infected by a chemical reaction between a heavy metal, associated with the meteor rather than a sell out appearance by Kiss legend Gene Simmons, and nitrogen in the air. The combination creating what they describe as a Cosmo-Amphetamine, which integrates itself into human DNA, transforming the recent dead into Zombies. (Cautionary Note from on line seller ZomBoy: Cosmo-Amphetamine is currently not available on Ebay, and for legal reasons herewith stated allegedly never has been).
There is an electro magnetic pulse fence erected around the perimeter between Tokyo City and the Bay region. Its instantaneous and conclusive purpose is to stop anything living, or otherwise from breaking free out into Tokyo itself. The set ups effectiveness is shown in the demise of a straggling dog, who is fritzed like a Homer Simpson animation cell lit up for Christmas.

Colonel Kirihara is in control of military operations within Tokyo Bay, at least he was until he went missing. His daughter Keiko is roaming around the bay region, seeking out a contact point to take instruction from her father. She finds secure sanctuary and within receives a very recent recorded message from Colonel Kirihara. He informs her that he is heading up a rescue operation for the survivors and plans to take them across the water to an island safe haven, free from Zombie activity. He warns her of renegade military, and a faction called the Human Hunter Unit. They are Zombie soldiers, an intelligent hybrid already evolved from the immediate effects of the blast. They kill freely whether still living human or the un-dead, and they can use weapons !.
Keiko’s father Colonel Kirihara bestows upon his stoic daughter a military designed battle suit to enhance her fighting abilities, and protect her from retaliatory assault. Kitting up in the lightweight, practically impervious, super compound rubber robo warrior outfit she is ready for Action. It finds her immediately as exiting the safe room she is hit upon by one of the super Zombie soldiers. A nifty display of feet and fists from Keiko, swiftly followed by a garrotte to the throat, and a follow through beheading. A spray of Zombie blue blood gushes forth, and Battle Girl is born !.
With Colonel Kirihara off the scene Captain Fujioke has taken leadership of the military Autonomous Security Unit within the cordoned off Tokyo Bay area. He proves to be one militant psycho soldier, believing it his patriotic duty to lead Japan into a brave new world. To turn the Cosmo-Amphetamine against the rest of the planet and create an army of Japanese super Zombie soldiers. A new race of superior beings.
Within the bowels of a central conglomerate building he has set up his scientists in a laboratory, experimenting on both the living and the un-dead. What he creates is a super serum from the Cosmo-Amphetamine. When injected directly into a recently killed subject it reanimates them, infusing their genetic makeup with a cocktail that enhances them in every way.
There’s an odd mishmash of characters and themes perhaps taken inspiration of from John Carpenter’s Escape From New York (1981). An organised gang of youths driving around the Bay region in a single decked fortified bus, picking off Zombies and doing a roaring trade in supplies from food to weapons, are amongst the oddities that Keiko encounters. Later in the movie, however, they team together in common alliance against the despotic Captain Fujioke and his zealot Zombies. The bus battalion refer to themselves as The Battle Kids, so it is appropriate that they eventually align with Battle Girl !.

Watching Cutie Susuki in Action as Battle Girl is worth the price of admission. Her real life wrestling ability affords her the ability to pull off some incredible moves, and most likely than not doing all of her own stunt work. At least one of the super Zombies she comes up against is clearly a fellow professional wrestler, as the two women pull off a nifty array of signature moves against each other. Amongst the more bizarre of the mutated monstrosities that Keiko has a run in with is a garish looking gargantuan, sporting a full set of sharp metal teeth and a matching steel clawed hand. Things get a little fraught towards the destructive finale and there is more than a fair smattering of blood letting, and limb lopping along the way.
Its all very silly but in an entertaining way, that with a sub seventy five minute duration delivers enough to sensibly not outstay its welcome. Battle Girl come closure has that to be continued feel about it, but although a sequel was not forthcoming it is not inconceivable in the current Japanese video shot market place, that someone will pick this up and breath new life into Battle Girl. With the glut of outrageously gory Anime styled movies being made and doing so well, what could be done with the character and the world she inhabits today is boundless. An ultra-violent, all Action live shot Anime, emblazoning Battle Girl across our screens once more, is a mighty Wrestlemania moment to die for. Now, just bring it !.


Movie Rating: 5/10
Review: Paul Cooke / Source: NTSC Region 1 DVD
Battle Girl: The Living Dead In Tokyo Bay (1991)
Director Kazuo 'Gaira' Komizu
With Cutie Suzuki,Kenji Otsuki & Kera Hayase

Friday, 10 July 2009

Zatoichi Meets The One Armed Swordsman!

Zatoichi Meets The One Armed Swordsman
(1971/Japan)


When it comes to Eastern Cinema fighting greats two of the most enduringly synonymous characters are without question Zatoichi and The One Armed Swordsman.
Throughout the Nineteen Sixties and Seventies stars Shintaro Katsu and Jimmy Wang Yu set the screen alight with dazzling skills of swordsmanship and so it came to be that their paths inevitably crossed , as in 1971 Toho Productions gave the world the film it wanted to see with , Zatoichi Meets The One Armed Swordsman.
The recent release of this classic encounter to Pal Region 2 DVD is as welcome an arrival for later day fans of Japanese Samurai action as it first was for the escapist seeking Kung Fu- aholics first time round.
With an original wide screen Cinematic scope ratio , that is made full use of with great Direction from Kimiyoshi Yasuda , you'll forgive the overly dark hues of the picture quality for the shear pleasure of the fighting coordination that never leaves the visual field of play as this old school , original special effects free Samurai Showdown , delivers an invigorating transcendental experience well worth seeking out.
When Wang Kong arrives in Japan from China to seek out spiritual enlightenment from a holy temple he is befriended by a family of fellow countrymen who make him welcome and offer to show him the path to what he seeks.
Soon they encounter the symbolic procession of traditional Nambu Samurai warriors which is by law given clear passage with the precedence to kill all who dare to cross before them and tragedy befalls the kindly kin when at a roadside encounter their young son runs out to collect his wayward kite which leads to the slaughter of all innocent bystanders witness to the event.
The abilities of Wang Kong enable the father to survive long enough to usher away his son only to be discovered by the travelling Zatoichi , who with the parents dying words is asked to take care of the boy.
It is not long before Wang Kong eludes the despotic attentions of the Nambu and lays claim to protector of the surviving youth by crossing Zatoichi's path in a tactful play that displays his prowess and the blind swordsman's tactful assessment of his opponent , in a masterfully subtle show of minimal exertion yet momentous examination , setting stall for the inevitable encounter to come.
The Nambu are revealed as tyrannical Yakuza who govern the surrounding land with fear over the simple villagers and when a bounty is placed on Wang's head all who try and harbour him and the boy are mercilessly slaughtered.
Zatoichi's natural instincts lead him into assisting the Chinese traveller and orphan as a mutual respect develops between them. Despite the language barrier the fledgling interpretation of the young Chinese boy aids them along the way to reaching haven at the temple but the journey is beset by deception , distrust and avarice as the local gang boss reveals Zatoichi's own Yakuza past.
A family that befriends the trio is assaulted and killed leaving only the daughter , a young woman , to survive but as Zatoichi rescues her in a superbly realised fight sequence , pitting him against a group of samurai in the enclosed environment of a darkened shack , his intentions are misinterpreted and his disappearance leads to Wang Kong believing him to be the enemy.
Amongst some very well choreographed short bursts of sword fighting , that gleefully details Zatoichi's great skill as he masterfully slices off ears and heads - just because he can , there is an intrinsic dash of humour that includes a marvellously realised moment that has a trio of comic relief , which includes another blind man , lining up outside a prostitutes room and each poking a hole through the mesh windows to peek through , but the sightless leader of course places his ear to the portal only to then receive a retaliatory assault on his sense of smell , from the equally inventive Zatoichi.
The tremendous fighting skills of Wang Kong are also showcased to perfection as he finds himself cornered in a quarry with dozens of assailants surrounding him within a work hut that is soon besieged and then set alight to. When the mighty Jimmy Wang Yu leaps up from out the roof you know that before his feet hit the ground there's gonna be some rowdy , rowdy and pretty soon the one arm swordsman hands out his own fiery display of fighting fu as he utilises his personalised short blade with vanquishing attrition.
There are a few more twists to the storyline and betrayals on route before the too late to get more popcorn finale is reached and that moment must have guaranteed a latrine queue free spell as the titular finale takes centre stage , with the only bodily fluid expulsion being a tear shed for a favoured hero as in defeat the ultimate battle is lost through the language barrier as Wang Kong believes Zatoichi to be his enemy as he misinterprets actions in place of meaningless words.
This is must see traditional film fare that tells a simple tale well with a measure of humour amongst the culminating action. Closing with the rewarding stand off that is worth the price of admission on its own to discover if the blind Zatoichi can see it through to the end , or whether the one armed swordsman can single-handedly win the day.
Film review by Paul Cooke
Film Reviewed: Zatoichi Meets The One Armed Swordsman
Format : DVD
Release : Artsmagic Ltd / Warrior Range
Coding : PAL Region 2
Sound : Dolby Digital Mono
Extras : Chapter Selection / Director Profile / Star Shintaro Katsu
Profile / Cast Pictures / Movie Stills / Warrior Title Range

Sunday, 26 April 2009

Unsheath Your Katana ... It's Bikini Babe Time


Oneechanbara: The Movie
aka Chanbara Beauty
(2008/Japan)

 
It’s Zombie High Noon Japanese manga in motion style, as a bikini clad cowgirl beauty slices ‘n dices better than a magi mix, with buttons in all the right places.
Eri Otoguru stars as Aya, a sword wielding vixen of vengeance out to serve justice upon her sister Saki and the maniacal Doctor Sugita. Releasing a compound that virulently attacks the blood molecules of humans, Dr. Sugita turns the world into a planet of the living dead. His most despotic deed, however, is in indoctrinating a very young Saki, as he leads her to clinically kill her own father !. Elder sister Aya, hiding nearby, witnesses the execution and from that moment the two sisters destinies are indefatigably defined !. They grow into young adulthood, honed in fighting skills taught by their father and furthered to the point of perfection, one for the virtues of good and the other in the pursuit of evil.

As Dr. Sugita perfects his serum he creates a personal army of super Zombies, more aggressive than the legions of un-dead rambling the surrounding regions beyond his laboratory, and ably equipped to do battle at their creators behest. With her portly male companion, also in search of a sister taken from him by Saki to experiment on by the nefarious Sugita, the sexy cowgirl Aya dispenses with the dead like a super short order chef at a Sushi bar. Her lithe body censored only by matching bra and panties, draped by a faux fur white boa under her sleek Stetson, and adorned by a poncho. A hybrid take on the man with no name from Director Akira Kurosawa’s Yojimbo (1961) and Sergio Leone’s classic spaghetti western variation A Fistful Of Dollars (1964) . A wondering female samurai brandishing a Katana rather than a six shooter, and also unlike Clint Eastwood completely stubble free. Even in a world overrun by Zombies this Chanbara babe follows the traditional ways of ‘wax on, wax off’!. The only bikini line showing here is likely the queue to the store to purchase the not so furtive gear, sported by Eri Otoguro in the movie, by fans looking to perhaps imaginatively expand upon their viewing experience.
The background story plays out in short interludes amidst the arterial blood letting and limb lopping dished out by the Zombie slaying Aya. Her skill with the sword is evenly matched by her speed of motion, as she evades the swarms of human flesh craving creatures back from the dead. Even the superiorly evolved super Zombies are no match for the bladed babe, with a skill for separating sinew from skin and bone from body in a siphon of splattering blood. In true comic book style even the camera gets bloodily blotched from the close up action with a Manga mayonnaise.



Saddle up with cowgirl Aya, her supply carrying man servant and voluptuous shotgun sidekick Reiko, as together they take on the might of the evil Dr. Sugita and his hordes of Zombies. It’s sword fight at the O.K corral come closure as the sisters are doing it for themselves. Good and evil never looked so ‘Wicked’ together.

Review: Paul Cooke / Source Japanese DVD Region 3 NTSC
2008 CN Entertainment LTD
Director Yôhei Fukuda
With Eri Otoguro, Manami Hashimoto,
Chise Nakamura & Taro Suwa
Delivering final rites to the dead is a heavy toll for one to bear though, so when another agile babe of the realm gate crashes a night of the living dead ghoul gathering, it’s a twofer tango to take out the trash !. Enter Chise Nakamura as Reiko, set astride a motorcycle and dispensing never ending bullets of death from a short barrelled double shot gun. A leather clad courier delivering packets of pain upon hapless customers who’s post codes don’t mean zip anymore !. These two babes will put a smile on any predominantly male orientated audience, as together they raise the dead with body and soul. As for any further Clint Eastwood references, my mistake, make that three hundred coffins !.
This is J-Cinema, shot on video greatness that stands out in a sea of throw away trashiness. Movies such as the recent The Machine Girl (2008) are gory delights, enjoyed best with your brain put in neutral, delivering outlandish moments of pure shock schlock, but Oneechanbara: The Movie sets a higher standard of overall entertainment in Asian budget film making.
Fans of Japanese horror and Kung Fu will delight in the fantastical cross references to many recognisable themes from genre classics. There’s even a Kill Bill (2003) Chiaki Kuriyama homage to her character Gogo, as an enhanced Zombie takes on our heroes with a lethal spin on the deadly spiked ball on a chain.